Disclaimer: In all honesty, I'm crap at coming up with plots from a blank slate -refer to notes on plotting below -, and I what have here is only random thoughts. If you have a particular craving/kink in mind that you think fits in with the overall theme of my thread, don't hesitate to throw it at me, all I can do is say no.
A base idea that's been in my head for a while that I'd like some help to flesh out.
My character, a rapist, out of pure mischief decides that he requires psychological treatment to help resolve his anger issues. Very selective about who he'd bear his soul to, she'd need to be female, and attractive. Not one to easily trust, he doesn't intend to reveal all immediately, or admit to any actual crimes, even if she is bound by patient confidentiality, but to keep it all hypothetical. And if the Doctor happen to become aroused by what he hypothetically could have done to these women, that's her issue.
So, is he telling the truth, or lying? To get into his mind, and discover that answer, in order to be able to help, she'll need have him explain everything in exquisite detail, and, perhaps, perform physical demonstrations. All in the name of medicine, or course. Just how was the victim kneeling, and were he hands tied behind her back, or in front, and with what? Was she screaming, crying or begging when he raped her? Is that position even possible?
I imagine this as a fun game of cat-and-mouse, both of them knowing the truth, and that the other does as well, but continuing to couching it all in hypothetical terms, at least the beginning, with a lot of buildup, 'teasing' and 'foreplay,' as the talk/actions become incrementally more intense. However, it requires more than just counseling sessions and interaction between Doctor and Client, so am looking to add another over-arching plot element.
Does she become a partner in his crimes, enjoying watching him rape other women? Is she married, with a boring sex-life, and her relationship with her husband change as her demands for him to become increasingly sexually rougher and more violent , grow stronger? Does she step outside the relationship, putting herself in dangerous situations, and risking her marriage, career and reputation, to sate her new desires? A combination of all, or something else entirely?
Good Guy Lucifer
I've had a vague idea I've mentioned to a few people about writing a story inspired by the 'Good Guy Lucifer' Memes, whereas Satan is the misunderstood, good guy, and God, the Evil one who, by virtue of having her book published first, claimed all of the credit for being 'Good'. I'd envisage it as a parody, with a female God, but as far as fleshing out a greater story, I've a few ideas, but am finding them hard to coalesce in my mind.
Possibly Satan and God are a couple, having trouble with their sexually precocious teenage daughter, Eve, and wayward adopted son, Jesus, with every earthquake, tornado and tsunami, a result of marital bickering, and a 'Just because we're married, you can't tell me what to do' attitude from God, met with a "I think we need counseling, honey, you've just killed another three-hundred-thousand people," one from her husband. Of course, would also like to throw a solid overarching story-line in there as well.
Edit: One other thing that attracts me in this idea is that, with the concept of God being eternal and omnipresent, time-lines and location wouldn't matter. We could move from the present day in one post, to God, in a fit of pique, flooding the Earth in the next, then onto Samson and Delilah, or Sodom and Gomorrah, soon after, potentially playing the characters out, and putting our own unique spin on each scenario. Ah, this is what I mean about my brain getting ahead of me with possibilities, there's now about a gazillion different ideas rattling around, unchecked, in my head, and how they could all fit together.
The Reincarnation of Peter Proud
Supernatural isn't usually my forte, but this was a book I pinched off my parents and read when I was about thirteen and for some reason, it's always stuck with me.
"Dr. Peter Proud’s ordinary life as a professor in California is threatened by recurrent dreams that all end the same: with his murder in a lake at night by a mysterious woman named Marcia. These dreams—which he comes to believe may be flashbacks from a previous life—become so disturbing that he seeks answers from a sleep researcher, a clairvoyant, and an expert in psychic phenomena in order to recover his past. But he soon discovers a new dimension to his dilemma while watching a television show called “America, Past and Present”—and realizes the show is set in the town in his dreams.
He travels to Springfield, Massachusetts, and comes face to face with the woman from his nightmares. The woman, Marcia Curtis, is shocked to see in Peter personality traits and characteristics that precisely recall those of her dead husband, Jeff, including his voice. Peter meets and falls in love with Marcia’s daughter, Ann, just as Marcia realizes that he is a reincarnation of Jeff. Will a second tragedy occur just as Peter is about to unravel the mystery behind his dreams?"
Though, probably not the same precise storyline as the novel, I think the premise could make for an interesting collaboration.
Also, something with Political Intrigue, and an intern who's more than she appears to be; sent to sexually entrap a Senator for Political gain, however receives more than she bargains for. Could be dark, as in revenge/consequences for the Intern, or turn into them working together towards a greater purpose.
Curiosity Killed The Cat - Taken
Would like to do a coercion/blackmail roleplay where a female 'victim' is complicit in her own corruption. Basic concept that comes to mind is a daughter/wife of a well-known businessman, bored with her safe life, or disciplinarian upbringing, escapes for an evening of excitement, leading to her, of her own volition, hooking up with the 'wrong guy'; a drug dealer/criminal, or the like, who, on discovering her identity, sets out to extort her for sexual favours, and possibly as a drug-runner. The point of difference being, rather then a hatred or the situation, the female character would be aroused by it, with any 'resistance' not real, but used as a self-justification for her to enter (and pro-actively place herself) into increasingly depraved and dangerous situations. Thinking the scenario would jump between that relationship, and the one with her Father/Husband, where she'd need to maintain her 'good-girl' persona, and keep her secret life hidden.
He’d managed to conceal it his entire life, to hide it from those who would try to change or 'help' him. Sure, some had their suspicions, but it was nothing they could put their finger on, nothing which could be proven – he'd never allow that to happen.
Some knew more than others, of course; the ones he'd hurt before and a couple of his friends. Friends? Maybe acolytes was a better word, 'friends' implied that he was capable of caring for someone other than himself. It wasn't like they'd tell anyone though, the acolytes reaped the benefits, and the others? Well, they'd seen what he was capable of.
Still even then, they didn’t really know, not the whole truth. That underneath the charming, intelligent and friendly exterior there lay a true sociopath, totally incapable of remorse or empathy; one whose sole pleasure in life came from the pain of others, who could only feel true emotion through their suffering.
From the moment he saw her, he knew. She was just another victim, another toy to play with. He’d charm, befriend, manipulate and isolate her, until, in the end, he was the only one she could depend upon, the only one she could trust and, in return, he'd be the only one who cared for her. And once she trusted him, completely, he'd betray her.
They had yet to speak, but he knew how it would be, it would be as it was before. He closed his eyes and the images ran through his mind, as if watching a silent movie. He could see the look of pain and disbelief on her face; the dawning realisation that this is what he'd always wanted. Although there was no sound, he knew through her wide open mouth she would be screaming and begging for him to make it stop, pleading for it not to be true.
And he'd watch, and he'd laugh and he'd mock, as his friends systematically used and violated her and her mind and body were broken, but most of all he would feel. Her emotions and her pain would be his emotions, his pain, and for that fleeting moment in time at least, he'd be able to feel something.
(Looking for a particular dynamic in this, in that not a female 'victim' type, but a normal, girl-next-door, and for the relationship to include consensual, 'enjoyable' sex, initiated by either/both parties, as subtle manipulation occurs behind her back, leading to a brutal, non-consensual coup de gras.)
“Models (female), 18-19, required for catalogue, website and private photo shoots. Great hourly rate and flexible conditions with a reputable company. Afternoons, weekends, or evening work available. Perfect opportunity for college students, all welcome to apply. No nudity required. Contact Connor on ..............."
That was the advertisement thirty-three year old Connor Adams had placed in local newspapers and on the college community boards a week ago and as far as he was concerned, it spoke the truth. His company, Girl Next Door Productions, was reputable - within the pornography industry - and nudity wasn’t a requirement. Not, that was, unless you wanted regular work and the ability to earn ten times as much as you could flipping burgers in a fast-food joint. A small fish in a big pond, Connor planned to become a shark.
The films the larger porn production company's made, and the girls they used - pretend 'teenagers' with bleached blonde hair, pierced lips, noses and eyebrows, tramp-stamps, and the most incredibly fake orgasms he'd ever witnessed -. were all too similar, and no longer offered the public anything they hadn't seen a thousand times before, so he'd come up with a new idea. The girl-next-door. A barely legal,, articulate and personable young woman with a bright future ahead; one who Father's would be proud to claim as a daughter, and Mother's to think of as a son's future bride.
And once he found that Girl-Next-Door, he'd take those Mothers and Fathers, along with brothers, sisters, friends, lovers and peers, on an ever intensifying journey; able to watch every minute of the once normal teenage girl's life as she was transformed into an Internet sensation, and filthy, depraved, insatiable, cock-craving whore. There, but for the grace of God, goes my daughter. It was a sure-fire winner.
If, deep down, she desired what he offered, so much the better. Now he just had to find her.
She's an eighteen year high-school senior, near graduation and looking forward to moving to a new state to attend college after the Holiday's, and beginning her quest for independence. Attractive, but not stunningly gorgeous, neither a virgin or a slut, she's your typical, studious, girl-next door. He's an elder man, around thirty or so, and handsome enough, who approaches her outside the school gates with a proposition.
One night, $5,000 an hour, and all she needs do is to entertain he and some high-flying business colleagues for the evening at his mansion. A chance to let her hair down; in total confidence, without judgement; and experience something many woman fantasise about. It will be her secret to keep forever, and she's free to leave at any time with the money earned; however a further $100,000 will be paid if she stays until morning. Enough to ensure she'll be able to be concentrate on her studies, and enjoy College life, without the need to work.
A once in a lifetime offer, and it's only one night.
The Businessman and the Stripper
He frequented the clubs, not because of the women, well girls really, dancing naked up on the stage. He did it, because, since Amy died and his wife had left there wasn't really much else. At least it took his mind of things for a while. That and his job, it helped keep the anger at bay.
From the moment he saw her, he couldn't get her out of his mind. Not in a lustful way, or not that he recognised as such. It was her looks, her smile, her youth, how she reminded him of his daughter. He had the money, he might be able to help her. To help her leave that dirty business, to find something else, to maybe even to go to College.
She was young, and she stripped for a living. It was as simple as that. She got naked for strange men, and she loved it. She loved the attention, the admiring glances, the money, the fact that all those men wanted to touch her..to have her. Who would want to work their ass off eight hours a day at minimum wage when they could do this?
All he wants to do is help her, all she wants is what's in his wallet. Who'll win this little game of manipulation. And what will become of the loser?
The man of her nightmares:
She'd met him at a college party. She hadn't really wanted to go, but her friends teased her and told her she'd never meet a guy if she never went out. So in the end she went, and was glad she did.
He was a little older, maybe too old to be there, but she didn't care. He was different from the other 'boys', the ones who just wanted to get her drunk and sleep with her. He was mature and funny and charming and made her feel good.
Still, she couldn't help wondering, out of all the girls at the party, why would he be interested in her? Not that she wasn't attractive, she was. She was just a little shy and didn't show off her body or act slutty like the others.
(Closed for now)
She was known as the Tease, but that's he what he always called a woman who refused to sleep with him, but in this case he was right. She knew she was attractive, and she loved to flaunt and taunt. Usually, he'd take things into his own hands, but this time there was a problem. She just happened to be his boss. If only he could find a way to turn the tables, what with the business convention coming up and all. The entertainment at those things was always so boring, he'd love for her to become the main attraction.
Partners In Depravity
Our own take on the Ian Brady/Myra Hindley serial killer partnership. The relationship between the two of them, and how they become a partnership, as well as their depraved acts. Would require a female partner to play as a joint protagonist with my character. I have a concept of this being a group roleplay - initially commencing as a 'one-on-one', where the relationship is developed between the two main characters, then opening it up to others (one at a time) to join in and play as one of their 'victims'.
Internet Killers - Taken; in process of writing opener.
He was a thirty-something security consultant, highly intelligent and respected by his peers. She was a twenty-something college student, bright and attractive, your typical girl next door. He was a closet psychopath. She had a dangerous kink. He fantasised about raping, torturing and killing young women. She got off to seeing others in pain. They met in an underground chat-room. She issued him a challenge. Did he have the balls, or was he all talk? That was how it began.
I'm in the mood to unleash my dark side, and write something violent, misogynistic, and depraved. Whilst I expect the interactions between the two main characters to, at times, be mentally and physically violent, both sexually and non-sexually, I am looking for a fellow protagonist, not a 'Villain/Victim' relationship. Not for the squeamish, I envisage this being a Richard Laymon-esque serial killer/slasher movie parody, along the lines of 'Natural Born Killers', on steroids, but with more character development/plot, and quite an amount of dark humour. Depraved, but fun, and light-hearted at times. Many kinks and acts of perversion are on the table in service of the story, depending on limits. I've a lot of ideas of where it could go, and how it could work, and am open to suggestions.
Snow White and the Seven Perverts
The concept I have is for a long-term play, with separate chapters based/themed on the name of each dwarf. Bear in mind that what's below is just a rough draft. If anyone is interested, I'm sure we could brainstorm, and tailor it to better match both of our kinks. Of course the chapter order isn't set either. Because I've been asked when I had this idea up before, my original idea to play the perverts as normal sized males, but hey, if you really want dwarfs, I'm amenable to it.
Chapter 1 –Sleepy, anything but a prince
Snow White awakes to receive her first inkling that the Evil Queen may not be so bad after all
Chapter 2 – Doctor, Doctor
Snow White is instructed on the rules of the house and prescribed her medicine
Chapter 3 – Snow White gets Grumpy
Snow White discovers what happens when she disobeys the rules
Chapter 4 – A Dopey Night in
Drugs work better than chains
Chapter 5 - Happy times
Snow White receives a reward
Chapter 6 - A Bashful excursion
Snow White entertains at the local tavern (It could also be a bashful/shy 'dwarf', where Snow White takes control of the situation)
Chapter 7 –Sneezy shares Snow White (and Snow White!)
A cocaine-fuelled night of debauchery, and sharing
An Epic Fairy-tale adventure
Goldilocks has came of age, and in her desperation to escape the evil clutches of her widowed Step-father, and his plans of betrothal - to him - she leaves her cottage in the dead of night. Tired and hungry, she breaks into an empty house, usually occupied by a Father and his two son’s, the Bears. On her discovery, and on hearing the story of the young woman, a plan is hatched to keep young Goldie on as a household maid. From there, begins a tale of sexual initiation and high-adventure, as the four protagonists undertake a perilous quest to save all those other Fairy-Tale characters in need.
I have lots of ideas for this, and whilst most of the story would be written from the viewpoints of Goldilocks and the Three 'Bears', I am looking to delve into other Fairy-tale pairings, incorporating the writing of their stories, and putting our own unique spin on them. Filled with fun and adventure, it wouldn't, however, be all sunshine and roses, and I envisage it also containing dark elements, as any good Fairy-Tale should, with some characters-in-peril being saved by our dynamic foursome, and others meeting a bad end, possibly at our protagonists hands. As well as a multitude of different sexual themes and kinks, for instance, as we perhaps, pose some of the following questions, or others of similar ilk;
Just how close were Hansel and Gretel, and was their punishment deserved?
Why was Jack's crown broken, and who was responsible; Jill, before she came tumbling down? Is there something we have been told about what happened on that there hill?
What's the best method for an attractive woman to distract a giant from Beanstalk surveillance?
How high a price will Goldie be prepared to pay, and in what currency, for her and her fellow traveler's to be allowed cross the Troll's bridge?
Is the wolf the only one to blow the Three Chauvinist Pigs, and if not, did the other do it willingly? Maybe he had reasonable justification for revenge?
Not to mention the possibilities offered up by Cinderella, Snow White, Rapunzel, Rumpelstiltskin, and Little Red Riding Hood, to name a few others, however, please note none of the above is set in stone, or any scenarios I'm stuck on. They're all just random ideas, off the top of my head, intended to, hopefully, provide a better idea of the overall concept I'm looking to write, and I'm fully open to suggestions/changes/preferences within that overarching framework.
Of course, everyone would be aged up appropriately, and I'd also be looking to keep the characters human, or at least humanoid (such as with any troll or giant, etc) in appearance, with the fairy-tale designation being used a metaphor for personality and/or looks.
If anyone is attracted to in the basic premise, and/or helping me flesh it out, just shoot me a PM.
Being able to fully fleshed-out plots, or seeing others on threads that immediately spark my interest enough to approach, is not something that really works for me. A lot of that is down to me being a totally global thinker/learner, as opposed to linear or sequential, where my thought-process tends to differ from the majority. Without context, gained through communication, there's too many possible variables in regards to what overarching themes/dynamics the other is looking for the story to include, for me to gain a full comprehension, and make an informed decision on if we're on the same page.
Context is everything to me, and I really need to determine, in conjunction with a partner, what we're looking to write 'about' first, to not only gauge overall compatibility, but also to allow details in regards to what settings, characters and pairings would best suit the story/theme, to fall into place. In that sense, I generally like to develop a broad synopsis, such as a blurb you'd find on the back of the book first, then backfill from there. Attempting to work forward from a bare outline, pairing, starter post, or open-ended plots, without defined goals, purpose or direction (which can change naturally and morph into something completely different as the story progresses) causes my mind to remain in a state of perpetual motion, so consumed by the infinite possibilities, that it can't settle on any particular one.
My preference is to first open up the lines of communication with potentially compatible partners, with compatible overall preferences, and then discuss plot, as I think finding someone that you believe you'd work well together with, is the basis of a good long-term writing partnership, and once you have that, plots that one may already have an interest in writing can be tweaked to better suit both tastes, or an original scene developed anew, off the back of it.
Below are some examples of what I'm referring to in regards to more of a 'blurb', and what then enables my plotting creativity to kick into gear. These are plots I have played, or am currently playing, on BMR, so not particularly looking for partners for them now, however may possibly be open to taking up the same broad theme again on some.
After being viciously raped and beaten by a small-town Sheriff's son, watched on by three of his friends, then having her accusations summarily dismissed, a devastated woman meets up with a damaged ex-army veteran, who kills to soothe his own emotional pain. A sweet romantic relationship forms between the duo as they embark on a murder-spree, together vowing to 'rid the world of its immoral scum,' and exact brutal revenge on her assailants, and those who stood by and did nothing.
Not So Snow White - A Parody
Jealousy is a curse. The Evil Queen, never one to accept second place, sets out to embarrass her daughter, and have her become the campus whore. Just think of all the money she can make. Luckily, she can keep her hands clean, and stay out of trouble, by having the Huntsman, Dean Hunter Forsythe, do the dirty work for her.
The Huntsman, left with no choice but to agree, decides to turn it to his own advantage, and have Snow sleep with 'specially selected' customers, and obtain the information he needs that will allow him to take over, and control, the Campus drug trade.
Snow will have to work her way up to the top of the food chain. In the mean-time she and the Huntsman will need to deal with Prince trying to befriend her, Bashful being lonely, and Grumpy stirring up trouble.
The Heiress and the Hacker
A man's attempt to reconnect with his adolescent love is complicated by class differences, the hatred of her wealthy Father, and his Head of Security's uncovering of the renewed relationship, who'll use that information for his own ends. Can they find a way to use their own discovery of her Father's secret perversions against him, so that they can be free, or will it all come crashing down around them?
A Royal Catastrophe
When the entire known British Royal Family (along with Elton John and Justin Beiber) is wiped out in a catastrophic catering accident at the wedding of Prince Harry, a war-mongering, Russian mob boss is next in line for the throne. That is, until the discovery of a possible descendant of a child borne by the, apparently mis-nomered, 'Virgin' Queen Elizabeth 1, living in America.
Now all Ben Roberts, MI6 special agent, needs to do is get Schuyler Lassiter to England for DNA testing, whilst being chased by the police and FBI, and avoiding the Russian Mob and rogue British agents who want her dead.
The Road To Fame
Set in the 1960's, an intentionally cliche-ridden, fun romp about the (mis)adventures of a small-time thief, on the run from the Law in his home state, and a down-on-her-luck Nightclub singer, intent on making her fame and fortune in Vegas, who team up and embark on a petty-crime spree throughout Nevada.
In a Christian safe-house for women eighteen and up, residents are being systematically abused by those they've been raised to believe of as 'Men of God', whose words cannot be questioned, and where, contained in those words, the threat of Hell is ever present.
These safe-houses, dotted around the country, are condoned, even encouraged, at the higher levels of the church hierarchy. After all, if it's going to happen, best it happen to the 'dregs of society' rather than 'respectable' parishioners, whose claims of clerical abuse are more likely to be believed, and attract media attention. They've already had enough of that.
Pimped out, sold off, raped, abused, degraded, forced into pornography, and exchanged for political favours, the residents are trapped with nowhere to run, and no-one to trust; they don't dare. Except for one. Can she, in collusion with an Investigative journalist, bring the unholy mess to an end or will those in power discover the treachery, and like others before them, the duo simply be made to vanish into thin air?
A psychopathic, sadistic serial-killer meets a woman on the dark web, who is aroused by the suffering of others, and, together they form a depraved, antagonistic partnership, involving rape, torture and murder.
Farewell, My Lovely
A happily married husband and wife's relationship is forever changed when a stalker, who first toys with his female victims from afar before ultimately raping and leaving them for dead, ups the stakes, and selects a couple as his next target.