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Author Topic: Indigo Saga by Louise Cooper and D&D  (Read 580 times)

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Offline AragemTopic starter

Indigo Saga by Louise Cooper and D&D
« on: January 06, 2010, 01:01:40 PM »
I joined a gaming group around 7 months ago and began my first foray into table top gaming.  We've played games from 3.5 edition of Dungeons and Dragons, Call of Cthulu, Stars Wars, and super hero gaming system.

I have old copies of Louise's Cooper's Indigo series.  I think they are out of print and can only be found or bought used.  Fortunately, I have all 8 books and I am interested in using the story and world to create a D&D game, 4th edition to create a large campaign for my gaming group. 

For anyone who is not familiar, Indigo Saga takes place in fantasy world where the Earth Mother is the central deity and there is a forbidden tower that must never be open.  To open it is to release all of Mankind's evils back into the world.  A royal Princess commits the terrible deed of opening the tower out of sheer curiosity and releases 7 demons into the world.  She is given the task of expiating her sin by going out into the world and destroying all 7 demons.

I bought several 4th edition books and I am currently studying them to learn the gaming system, then I will create the world from the books.

Offline MasterMischief

Re: Indigo Saga by Louise Cooper and D&D
« Reply #1 on: January 09, 2010, 10:33:12 AM »
Are you just looking for feedback on this premise?

Offline AragemTopic starter

Re: Indigo Saga by Louise Cooper and D&D
« Reply #2 on: January 15, 2010, 12:25:07 PM »
Feedback, advice, etc.

Offline Schrödinger

Re: Indigo Saga by Louise Cooper and D&D
« Reply #3 on: January 20, 2010, 04:52:17 AM »
I'm not at all familiar with this setting, but if you have any experience with DM'ing for 3.5, 4E will come about just as easily. Just consider the following: you have a whole lot more room for winging it or freewheeling compared to 3.5, I've found.

First of all, plan the game as per the Dungeon Master Guide's advice. Which basically means to plan your plot ahead, and fit encounters and rewards for the next level of character advancement. Be flexible in the guidance of your players, and give them plenty of options, quests, 'hooks' as they're called, so the game and plot won't be an on-rails experience. Of course, sometimes you may have to do just that, but try to keep up an air of an open world with plenty of choices.

Remember the hardships of 3.5's level 1? The PC's in 4E are heroes from the get-go. Level 1 in 3.5 is the meager startings of a group towards greater glory and power, where even a common housecat can bloody kill a wizard or rogue of all things. Level 1 characters in 4E are the big names of communities or up-and-coming heroes-to-be. Characters are all capable of controlling the battlefield through their at-will attacks and a variety of encounter powers and dailies, and won't have bouts of being utterly useless when they run out of spells. Healing surges, basically their resilience and fatigue being lifted, are their prime resource, and are for the DM a good gauge to determine how much more they can take. They can also tell you how hard you've been pushing your players, and you can later use that to either make future encounters -just- a smidge less harder (either by diminishing the challenges they face or not going for heavily tactical play of monsters), or ramp up the difficulty a little bit more.

Use minions. They flesh out the encounters by giving you cannon fodder. Remember the golden rule of assigning minions: the experience 'cost' (kind of like an allowance for the DM to spend on building encounters for the PC's to face) of one such a monster nets you four of them, but they will die to a single succesful blow from the PC's. Also remember that minions do set amount of damage when they do hit.

Skill challenges are a great way to provide the players with a chance to find new direction. Give them story hooks while they search for some hidden tomb for your plot's search for the magic McGuffin. Or, if they fail, lead them astray, and to a new path in your plot. You can also use skill challenges to do some plot exposition, or to provide a boon or a burden on your players before the next encounter (think a shortcut coming up, or facing a wandering guard party they now have to dispose of in your dungeon/temple/palace of choice). Allow your players to come up with ways to use their skills, and ask them how they intend to use it. If they're particularly brilliant, hell, give them a little boost (you know, the old +2 to your roll for any benefit you may have in a situation, just like in 3rd edition and 3.5 :-) ). Sometimes, you don't even have to let them know they're presented with a skill challenge, and things can go in suprising directions. I once rather blatantly railroaded my group's party through the underground tunnels of their world as they fled a massive land shark crushing through the warrens and tunnels. Some music, some very nervous calls for rolls, and they very quickly got into the mindset that they needed to move fast. Rocks fell, the land shark was hot on their heels, and they were thinking almost literally on their feet, gauding each other to roll for the various physical skills, or pulling along the weaker characters and covering for them. When they finally found a high warren and could feel the land shark move away below them, the sense of relief was almost palpable. And the climb down hilarious. They didn't even know it was a low-effort, high-risk skill challenge.

Have fun, be flexible, and like your players, think on your feet. Use your monsters creatively, and don't be hesitant to reskin them. In fact, 4E really encourages you to take whatever class, or ability, or creature, and tweak it to your liking for flavour or originality. Once had a player in a Ravenloft one-shot take the Druid, only he had his source changed to Arcane as well as his implements refitted. The end result was a collected wizard capable of throwing some elemental spells, who went through fits of llycantrophy, his Druid beast form reflavoured into a werewolf that came and went. And it was a fun character to see, and apparently, to be played.

Offline AragemTopic starter

Re: Indigo Saga by Louise Cooper and D&D
« Reply #4 on: January 23, 2010, 10:34:34 AM »
According to the story, there is a forbidde tower that contains the world evils that must never be opened.

A princess opens the tower and 7 demons are released into the world.  She is given a task by her goddess to go out and destroy these 7 demons. 

What I am going to do is involve a main villain to the campaign who uses the heroes *the players* and tricks them into opening the tower and releasing the demons or being part of it.

Offline Schrödinger

Re: Indigo Saga by Louise Cooper and D&D
« Reply #5 on: January 23, 2010, 10:47:50 AM »
So it's literally Pandora's Box.

Unless the legend of the tower is quite well-known, well, you can always do a reversal on your players: the heroes are out for a great McGuffin or hidden power, to free it against the evils that wrack the world already. The guy leading these heroes on, however, is best to be a person they trust wholly and who they have strong ties with. Maybe work out some such a person through shared backgrounds: a trusted and loved guild master or mentor, for instance?

Offline AragemTopic starter

Re: Indigo Saga by Louise Cooper and D&D
« Reply #6 on: January 23, 2010, 12:20:00 PM »
Yeah, something like that.

I was going to have them be summoned by a female cleric who tells them that she suspects that the princess is going to open the tower.  THey travel out to the tower to save it, but when they arrive the Princess is there with some guards and it is the Cleric who opens the tower while they are fighting.

Offline Schrödinger

Re: Indigo Saga by Louise Cooper and D&D
« Reply #7 on: January 23, 2010, 01:11:14 PM »
Alright, hope that works out then  :-)

Again, take your time with planning ahead the coming adventure, this definitely has the making of a Lvl 1-10 game with the heroes trying to repair the damages unleashed by the demons a perfect Paragon campaign.